Browse Exhibits (8 total)

Russian Orthodox Churches in Saratov, Russia

This exhibit features Russian Orthodox Churches in and around Saratov, Russia. English and Russian Translations were done by Jeren Khakyeva of Ashgabat, Turkmenistan and Stephen Boss of Laramie, Wyoming.

Russian Orthodox Church History -- The Schism of the Russian Church

This exhibit features a history of the schism that shook the Russian Orthodox Church in 1666–1667. This schism began as the result of a series of church reforms introduced by Patriarch Nikon. Old Believers continue liturgical practices which the Russian Orthodox Church maintained before the implementation of these reforms. Russian-speakers refer to the schism itself as raskol (раскол - etymologically indicating a "cleaving-apart"). This exhibit focuses on the Old Believers and their music. Translations were done by Jeren Hakiyeva of Ashgabat, Turkmenistan and Stephen Boss of Laramie, Wyoming. Research was done by Stephen Boss, Jeren Hakiyeva, Stephanie Elizabeth Cohn, Saroj Poudel & Alexandra Nicole Casper.

Moscow Cathedrals

Moscow (Москва́´), is Russia's capital and largest city, with a rapidly growing population of more than 11 million people. Moscow is the country's primary transportation hub and home to its most renowned cultural, political and religious institutions. Founded in the 12th century as the capital of a minor principality, Moscow eventually emerged as the center of a unified Russian state in the 15th century. The capital was moved to the new city of St. Petersburg in 1703 under Peter the Great, but Lenin moved the capital back to Moscow in 1917. Moscow has been a site of great spiritual importance for most of its history. It has long claimed the title of "Third Rome," regarding itself as a spiritual successor to the imperial Christian capitals of Rome and Constantinople. The city is still the center of Russian Orthdodox Christianity. The Patriarch of Moscow, whose residence is the Danilov Monastery, serves as the head of the Russian Orthodox Church. Text Credit: http://www.sacred-destinations.com/russia/moscow.htm

Kolomenskoye - Summer Estate of the Tsars - Moscow, Russia

Kolomenskoye is a former royal estate situated several miles to the south-east of Moscow downtown, on the ancient road leading to the town of Kolomna (hence the name). The earliest extant structure in town is the exceptional Ascension church (1532), built in white stone to commemorate the long-awaited birth of an heir to the throne, the future Ivan the Terrible. Being the first stone church of tent-like variety, the uncanonical "White Column" (as it is sometimes referred to) marked a stunning rupture with the Byzantine tradition. The church stands up toward the sky from a low cross-shaped podklet (ground floor), then follows a prolonged chetverik (octagonal body) of the church, and then an octagonal tent, crowned by a tiny dome. The narrow pilasters on the sides of the chetverik, the arrow-shaped window frames, the three tiers of the kokoshniks and the quiet rhythm of stair arcades and open galleries underline the dynamic tendency of this masterpiece of the Russian architecture. The whole vertical composition is believed to have been borrowed from hipped roof-style wooden churches of the Russian North. Text Credit: http://www.worldheritagesite.org/sites/kolomenskoye.html

Novodevichy Convent - Frescoes of the Smolensk Cathedral

The Novodevihcy Convent was founded in 1524 by Tsar Vasily III (1479-1533) to commemorate the capture of Smolensk from Lithuania. That it was intended to serve not only as a religious institution but also as a fortress is evident from its strategic location and strong wall with 12 battle towers. Until the 20th century, the convent marked Moscow's southern edge. Having been founded by the Tsar, it enjoyed an elevated position among the many monasteries and convents of Moscow and became a convent primarily for ladies of noble birth. It was also used as a prison for rebellious royals, including Peter the Great's half-sister and his first wife. Little remains of the original structure. Most of the current building dates from the 1680s, when the convent was significantly rebuilt and enhanced after the Time of Troubles by the Regent Sofia. Sofia was later confined here by Peter the Great along with his unwanted first wife. After the Revolution, Novodevichy's churches were closed and in 1922 it was turned into a museum. This spared it from a worse fate until the cathedral was return to the Russian Orthodox Church as a reward for backing the war effort in 1945. Restoration of the convent began in the 1960s and in 1988 an episcopal see was once again established here. It is still officially a museum, but is used as a convent by nuns who keep a low profile. Within the convent complex are several churches. The most important is the huge five-domed Cathedral of the Virgin of Smolensk (sobor Smolenskoy Bogomateri), dedicated in 1525 and built by Alexei Fryazin. It was closely modeled after the Kremlin's Cathedral of the Assumption and contains a spectacular iconostasis with 84 wooden columns and icons dating from the 16th and 17th centuries. According to legend, during the War of 1812 Napoléon had ordered the cathedral dynamited, but a brave nun managed to extinguish the fuse just in time. To the right of the cathedral is the red-and-white Church of the Assumption (Uspensky tserkov) and an adjacent refectory, constructed at the behest of Sofia in the 1680s. Its interior is almost as impressive as the cathedral, with rows of vaulted windows interspersed with icons and a gilded iconstasis. Around back is the Church of St. Ambrose, an all-white church that contains an exhibition of cassocks and 18th-century icons. At the entrance to the convent is the Gate-Church of the Transfiguration (Preobrazhensky tserkov), widely considered one of the best examples of Moscow Baroque architecture. At the southern gate is the Gate-Church of the Intercession (Pokrovskaya tserkov), with a red-and-white facade and three domes. The church surmounts a gateway wide enough to drive a hearse into the adjacent cemetery. Exhibits throughout the convent display such treasures as: rare and ancient Russian paintings, both ecclesiastical and secular; woodwork and ceramics; fabrics and embroidery; and a large collection of illuminated and illustrated books decorated with gold, silver, and jewels. The ornate belfry towering above the convent's eastern wall rises 236 feet and consists of six ornately decorated tiers. The structure is topped by a gilded dome that can be seen from miles away. Novodevichy Cemetery (Новодевичье кла́дбище) is the Moscow's third most popular tourist site. It has a park-like ambience, dotted with small chapels and large sculpted monuments. The cemetery was built next to the Novodevichy Convent immediately upon the convent's completion. The cemetery was first used primarily as a burial place for Moscow's feudal rulers and church officials. Later it came to be used for Russia's intellectuals and merchants, while in the 20th century, it was the burial place for many of the Soviet Union's most well-known citizens. Today, the cemetery holds the tombs of Russian authors, playwrights, and poets, as well as famous actors, political leaders, and scientists. More than 27,000 are buried at Novodevichy. The nearby Novodevichy Pond is also lovely. In the winter this is a favorite place for skating and sledging. Brass ducks by the pond were given by Barbara Bush "to the children of Russia" but later stolen by thieves. They have since been replaced. Text Credit: http://www.sacred-destinations.com/russia/moscow-novodevichy-convent.htm

Saratov State University

This exhibit features the architecture of Saratov State University in Saratov, Russia. The digital objects are from two postcard sets given to visiting UW Library faculty by their Russian counterparts.

Digital Audio

The Digital Audio Collection of the University of Wyoming Libraries Digital Repository contains digital and digitized oral histories, digitized music audio, and interviews. It currently contains three sections: digital music, oral histories about early education in Wyoming and surrounding areas, and audio interviews about the Mountain Pine Beetle infestations.

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Thomas Kennet-Were

Thomas Kennet-Were, an English gentleman and artist, traveled acrossthe United States and part of Canada in 1868 and 1869. He documented his trip by writing an account of his travels, which he titled “Nine Months in the United States,” and by painting many scenes in watercolor.


Kennet-Were left England in October 1868 on a boat bound for New York, arriving twelve days later. During his journey he visited a number of Eastern cities, various Civil War sites, Florida, and then New Orleans where he caught a Mississippi steamer to St. Louis. He traveled across the West--on the still-to-be-completed Union Pacific Railroad through Nebraska and Wyoming to Utah and then on the Central Pacific to Nevada and California. From San Francisco he traveled to Panama, crossing the isthmus by train, then returned to New York and back to England, all in nine months.


The quotes in the exhibition are all taken from Kennet-Were’s account of his trip which was published in the English newspaper The Gazette. The quotes use his original spelling.


Not only did Kennet-Were describe in his writings his experiences in post-Civil War America, but he also wrote social commentary. He noted the use of language by Americans, and described certain customs, such as the duel he witnessed near New Orleans, and the suggestion he carry a gun.


Kennet-Were’s sixty-four watercolors and a copy of his published account are held by the American Heritage Center at the University of Wyoming. A descendant of Kennet-Were’s, Francis Spencer, born in London and now living in New Zealand and a well-known philanthropist to the arts in that country, presented the collection to the AHC in June 2002 in a ceremony at Wyoming’s Capitol.


Upon returning to England, Kennet-Were encouraged other Europeans to visit North America to explore the country themselves. "Remembering all the enjoyment which we derived from the tour so inadequately described in the foregoing articles, I cannot help advising future travelers to forsake for once the beaten paths of Europe to seek adventure in the great country across the Atlantic. To one who studies men and manners the various peoples who have sought new homes on the North American continent offer subjects of the deepest interest, while in the latest development of the Anglo-Saxon race, and in the power which it presents of subduing all other nationalities to its influence, an Englishman is especially concerned.


Kennet-Were concluded his account by stating the traveler will "look back with as much pleasure to the time he has passed as we do to our ‘Nine Months in the United States’."